The Sansui AU-9500 has gone to a very appreciative new owner. I didn't spend as much time with it as I would have liked on its return, but am very impressed by it (and did spend a lot of time with it initially).
The Burhoes were listened to a lot last night, driven by the Harman/Kardon A -402 and then the Sony TA-F5, one side of vinyl after another 'til late. They are powerful yet delicate, full range speakers. I bought them because they were available and I'd wanted them for a long time, but also because I've known for a while that the JBL 4312Bs will not be here forever, and needed to know what my next go to speaker would/could be. These are it.
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Saturday, November 28, 2009
The Sansui AU-9500 is back!
The entire problem was a broken toggle switch for the N.R. ADAPTOR feature (pretty unnecessary in 2010 unless you need noise reduction built into your amp for use in a reel to reel tapdeck ), a broken (brittle) plastic bit. He didn't replace the switch, but made it work, with perfect contact, but now not making an audible 'click' when it's switched into 'OUT' (where it should always be) from 'IN' (where it will never be). It was causing the weak channel problem in the phono and all other inputs. It's sounding amazing now, as is the matching AU-9500 tuner.
Friday, November 27, 2009
The Longest I've Gone Without Posting.
I apologize. My day job has been extremely demanding this week. Not a lot has happened audiowise. I will have the big Sansui AU-9500 back this weekend. The Marantz 4400 is an ongoing project. Vladimir begged me to take it away (it's the most complex receiver he's seen in 30 years), but I will get him a real service manual and we will review the situation. I can't wait to hear it (it sounds great in mono)!
I did have the opportunity to refoam a pair of JBL L128 woofers, the first White cone woofers I've worked on, and they worked beautifully.
I hope to have some awesome new speakers to tell you about tomorrow. Have a great weekend.
Saturday, November 21, 2009
NOTHING TO LOSE!
I don't have a record cleaning machine. I bought a very inexpensive copy of All 'N' All by Earth Wind & Fire, that without my reading glasses on looked ok, but on closer inspection (and playing) appeared to have a layer of sugary, crackle and pop inducing glaze all over both sides. I was dying to hear it last night, so washed it like a dish (but rinsed for a very long time).
And it worked! It is now playable, reasonably quiet and full of vinyl detail, musicality and goodness.
All 'N' All is a kickass, relentlessly funky album from a real band at the top of it's game. Awesome rhythm section, ferocious horns. Serpentine Fire is blistering!
And it worked! It is now playable, reasonably quiet and full of vinyl detail, musicality and goodness.
All 'N' All is a kickass, relentlessly funky album from a real band at the top of it's game. Awesome rhythm section, ferocious horns. Serpentine Fire is blistering!
Friday, November 20, 2009
A few things are gone.
The Mission 701s, the Celestion 3s, the Technics SU-V76 amp and ST-S76 tuner and the Pioneer SA-5500II amp.
I still have lots to listen to and enjoy. I have a new pair of The New Advent Loudspeaker, woofers just refoamed yesterday. They sound as good as always, and are a very solid vintage choice.
Have a great weekend.
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I still have lots to listen to and enjoy. I have a new pair of The New Advent Loudspeaker, woofers just refoamed yesterday. They sound as good as always, and are a very solid vintage choice.
Have a great weekend.
e-mail me
Wednesday, November 18, 2009
The Yamaha NS-10M Studios are gone.
The most analytical systems I've had, they are not ideal speakers for recreational use. While they brought out details and buried tracks in songs I thought I really knew, I was never able to relax and be completely absorbed in the music. I was listening to the sound, and the quality of the recording (or the bit rate of the rip) instead. If I had these for a long time, I bet they would start to influence my listening choices.
All that being said, I understand what invaluable tools these speakers are for recording and mixing professionals, and have no doubt that if a mix sounds good on Yamaha NS-10s, it sounds outstanding on just about anything else. This is a system that I respect, but can't love.
All that being said, I understand what invaluable tools these speakers are for recording and mixing professionals, and have no doubt that if a mix sounds good on Yamaha NS-10s, it sounds outstanding on just about anything else. This is a system that I respect, but can't love.
Tuesday, November 17, 2009
A Lucky Break
In July I wrote briefly about Rough Trade Live, a brilliant direct to dicc recording released in a very limited edition. I have a CD made from the digital safety tapes (and still available), which is quite good, and have heard a couple of copies of the vinyl in the past, but finally I own one! I got it for $3.45 used (obviously) at Sonic Boom. I just listened to side one and I am very happy.
I was going to explain the difference between direct to disc and conventional record manufacturing techniques, but I type with 2 fingers and wouldn't finish tonight! This Wikipedia post says it better anyway.
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I was going to explain the difference between direct to disc and conventional record manufacturing techniques, but I type with 2 fingers and wouldn't finish tonight! This Wikipedia post says it better anyway.
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