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The Telefunken TLX 1 Professionals have arrived! They are lots of fun & sound surprisingly big, but I need to spend some time with them. They have 12 feet of thin speaker wire coming right out of the cabinets, like cheap all in one system speakers, but originally had DIN connectors, I bet. I may install proper binding posts. The cabinets are constructed like Braun and Canton speakers of similar vintage. They have great presence, but I need to live with them. I do like what I hear, and these could fill the bill for a lot of people (and I've met a few recently) who want good bass in as little space as possible. No these aren't close to mini speaker size, but they seem to go deep.
Also arriving today, a fantastic Sony TA-3650 integrated amp. The Vintage Knob provides lots of information here. It's the precursor to my beloved TA-F5, with a 60 watt/channel, DC amplifier. It's beautifully built, but Sony's industrial design is a matter of taste, many finding it dull. I think it's spare and serious. The machined solid aluminum knobs and heavy extruded faceplate are higher quality than most contemporary competitors (including Marantz) . I took off the chipped woodgrain vinyl sides (I may veneer them in teak). I think this amp looks much cooler in just a metal case. Like the Toshiba SD-420, this amp uses a swiss Alps sealed potentiometer for its volume control. I had to replace a broken one on the Toshiba, but this one is excellent: silky smooth and quiet.



This beauty has a gouge and a burr on the edge of the faceplate near the bottom right corner. What I consider a battle scar would be a fatal flaw to many 'collectors'. This is a gorgeous sounding amp.
You can't go wrong with either of these. Currently I have both. If you listen to mostly classic rock, I'd take the Advents by a hair for their deeper bottom end, the foundation for everything else. Listening to a lot of jazz and blues, the Dynacos, and especially their Seas tweeter have a bit more detail and extension than the very good 'fried egg' tweeters in the Advents.
The day after winter solstice the light faded quickly so the 1152Dc photos are blurry and will be redone tomorrow. Here are the 1122DC integrated amp and 2120 tuner. This last style of vintage Marantz is growing on me. I always liked the integrateds with anodized black inset panels, like the 1150 and 1070, but the massive chunkiness of these, especially the double thick centre section (the second aluminum piece is secured from the back with screws).


I know, these were produced in the mid eighties, and don't really belong on this blog. Celestion continued to produce seventies quality speakers, and the DL line was (and continues to be) popular.
They are large 3 way 10 inch rear ported systems with an excellent aluminum dome tweeter, a variant of the one developed for the fabulous SL-6S. The drivers have cast metal frames (not stamped) and rubber surrounds. They use much better speaker wire connectors than the Ditton line, and have the beautiful musicality that makes Ditton 15s, 44s, 22s et al so appreciated today.
Two days ago, someone asked me what british speakers I had, and my answer was none. Tonight I have the Mission 770 Freedom 4s I told you about last night, a pair of Celestion DL10 Series 2s and a pair of Mission 700 Mk 2s. Things change fast.
I'm getting myself psyched up to sand the Mission speakers outside. It's sunny but cold. I had a pair of 770 mk2s a long time ago that were black but battered. I went through black stain to the walnut (or maybe ash?), and some of the residual black went into the grooves of the grain, giving it a beautiful depth and richness. I think these will work that well.





Each channel uses 14 output transistors!
All three are clean and sounding great.
I just came home with a 2245, a 2235B and a 2215B. Lots of cleaning is required, a few fuse lamps, and I think these will all be ready for prime time. Much more to follow.
The Sony STR-V4 left this morning, paired with the Image speakers. The happy buyer got a beautiful sounding system that will give years of musical joy for less than $200.
I'm looking forward to the Krosseyed Kats world premiere gig at Grossman's tomorrow night. I think that Frieda, a unique and extremely talented singer who's been part of the Toronto blues scene for years, has finally found a band that shares her vision and musicianship. If you're in the Toronto area, check it out.